Performance art - HM2 Only Watch 2009

Performance art - HM2 Only Watch 2009

 
 

About

  • about
  • sage vaughn
  • the collaboration

MB&F and artist Sage Vaughn made a strong statement at Only Watch 2009

There is a butterfly trapped in the engine of the HM2 Only Watch collaboration with American artist Sage Vaughn, and it has no hope of escaping because the complicated movement is wrapped in barbed wire. This emotionally charged piece, a one-of-a-kind interpretation of MB&F’s Horological Machine N°2 is signed by Sage Vaughn and was auctioned at Only Watch 2009, the charity auction benefiting research into Duchenne Muscular Dystrophy, held in Monaco under the patronage of HSH Prince Albert II.

The disease is a genetic disorder affecting boys. It causes a progressive weakening of the muscles that becomes fatal as the child gets older.  The Monegasque Association against Duchenne Muscular Dystrophy (AMM) is a leading force in the drive to find a cure.

The HM2 Only Watch 2009 is a unique piece which was auctioned on the 24th September 2009. 

sage vaughn

Sage Vaughn was born in Jackson, Oregon in 1976 and grew up in Reseda, California. He now lives and works in Los Angeles.

As a child he developed his talent for art in the company of his father, the artist Richard Smitty Vaughn Junior. His father would take him to the Los Angeles zoo, where they would sit all day, sketching the animals. His hippie parents had little money for toys, but they encouraged him to draw and to develop his own style. Later, he became an avid participant in the graffiti culture.

Today he favours painting, but the city of his graffiti days is ever present in his work. It is shown in its least flattering light, in the grey walls and stylised cityscapes and freeways that form an austere backdrop to his vibrant foreground figures. He has also preserved the same free and easy touch and energy. This is most visible in the paint runs used in certain areas of his work.

“I try to utilise animals in the same way that Aesop did in his fables”

Sage Vaughn’s paintings question the human condition and the difficulty of living in a contemporary environment. The bright birds and insects serve as an affirmation of life, but they also remind us of our strategies for survival in a modern society. Imperceptible at first glance, black tattoos in the birds’ plumage spell out the names of gangs or codes. They evoke the individual’s need for recognition, but also a subculture, linked in the collective conscience to violence and rebellion in the streets.

“It is easier for an observer to project into the countenance of a child”

Sometimes, children replace the birds in the foreground. Not yet formatted by society, they seem to have the energy to survive and reinvent the world. Sporting masks and brightly coloured costumes, they look like superheroes. Yet there is nothing joyous or innocent about them. Each is desperately alone, abandoned in a hostile setting.

The message could thus be seen as a bitter one: the American dream of bucolic happiness is shattered.

Sage Vaughn likes to cloud the issue, however, and scramble what might be seen as clear cut. His paintings do not stop at that admission of failure. To live is, of course, difficult but the simple fact of being alive brings hope. In the wake of Melville, whose novels the painter admires, Vaughn knows that even during war, birds do continue to sing and children to play.

N.A.S.A. "Way Down" (feat. RZA, Barbie Hatch, & John Frusciante)

Sage Vaughn's Website

the collaboration

Maximilian Büsser said that he and his team were “shocked into” participating and were determined to work with Sage Vaughn. His paintings of gaily dressed children or bright birds or butterflies against bleak urban backgrounds had the tension between affirmation of life and a sense of desperation that they were seeking. This young artist, whose solo shows have won widespread critical acclaim, has fought and conquered his own demon – a seven-year heroin addiction – and the pain of that struggle is felt in the emotional power of his work. He immediately agreed to contribute his time and talent.

The result is a unique interpretation of MB&F’s Horological Machine N°2, the watch launched as a limited series in 2008. The entire upper face of the watch – the rectangular case and the projecting portholes – is crafted in sapphire crystal, revealing the HM2’s complex engine. The hundreds of minute components display the meticulous hand finish that is MB&F’s hallmark. But they are imprisoned in barbed wire. A blue butterfly struggles to escape from the same fate, but its wings are clipped. The barbed wire is handcrafted in blackened gold and the butterfly in blued gold, and the scene has all the emotional impact of the first rough by the artist.

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HM2 OW Face
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friends

  • all
  • design
  • movement
  • case & buckle
  • dial & hands
  • communication
  • accessories
 
 
Olivier Purnot
 
José Perez
 
Jacques-Adrien Rochat
 
Isabelle Vaudaux
 
Régis Golay
 
Isabelle Chillier
 
Bertrand Jeunet
 
Maximilian Büsser
 
Eric Giroud
 
Denis Parel
 
Frédéric Legendre
 
Estelle Tonelli
 
Alban Thomas
 
Gianni Di Blasi
 
Georges Auer
 
Bertrand Sagorin-Querol
 
Alexandre Bonnet
 
Jean-Marc Wiederrecht
 
Salvatore Ferrarotto
 
Maarten van der Ende
 
Gérald Moulière
 
Pierre Chillier
 
Dominique Mainier
 
Serge Kriknoff
 
Patrick Lété
 
François Bernhard
 
Stéphane Balet
 
Ian Skellern
 
Guillaume Schmitz
 
Didier Dumas
 
Georges Veisy
 

engine


specs & manual

Case

  • Piece unique – 18K white gold/titanium with sapphire “double dome” glass
  • Dimensions (exclusive of crown and lugs): 59mm x 38mm x 13mm
  • Water resistant to 30 meters (3 ATM)

Movement

  • Jean-Marc Wiederrecht/Agenhor designed functionality regulated and powered by a Girard-Perregaux oscillator and gear train
  • Blued 22K gold Battle Ax automatic winding rotor
  • Balance oscillating at 28,800 bph
  • Number of components: 349 including 44 jewels

Functions

  • Left dial: Retrograde Date and Bi-Hemisphere Moon Phase
  • Right Dial: Jumping Hours and Concentric Retrograde Minutes

Dials

  • Brushed sapphire for minutes and date, Black disks for hours and moon phase
  • Number of parts (Movement & Case): 439 parts

Sapphire crystals

  • Dial side with anti-reflective treatment on both faces. Display back signed by Sage Vaughn

Sage Vaughn sculpture

  • Blackened 18K gold barbed wire which imprisons the movement, symbol of the illness capturing the body
  • Blued 18K butterfly on movement bridge, symbol of innocence and childhood

Strap & Buckle

  • Black hand-stitched alligator with 18K gold and titanium custom designed deployment buckle

Presentation box

  • Sage Vaughn piece unique painted wooden “coffret”.