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Designed by MB&F, Arachnophobia is as extreme as they come… but the eye-catching three-dimensional sculpture is also an impeccably finished cum-table-clock-cum-wall-clock, engineered and manufactured by L’Epée 1839.

The spider’s body is outfitted with a black dome with white numerals depicting the hours and minutes. The head houses the regulator with its oscillating balance wheel, while the other end contains the mainspring barrel, which powers the movement.

Attached to the abdomen are eight legs articulated where they join the body by ball-and-socket joints. The legs can be rotated so that Arachnophobia can stand tall or splayed flat. A third position provides an optical treat for fans of large arachnids: the front legs can be moved forward while the six others maintain the standing position, an interesting and alarming posture that says, look out!

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Arachnophobia In Situ

the machine


  • Hours and minutes: curved hands rotate to indicate hours and minutes on a polished, central dome featuring MB&F’s signature numerals.


  • L’Epée 1839 in-house designed and manufactured movement
  • Balance frequency: 18,000 bph / 2.5Hz
  • Power reserve of 8 days
  • 218 components and 11 jewels
  • Incabloc shock protection system
  • Mechanism in palladium-plated or gold-plated brass
  • Key winding and time setting on underside of clock
  • Movement finishing includes Côtes de Genève, anglage, polishing, sand-blasting, circular and vertical satin finishing

Dimensions and weight

  • Height (legs extended): 203 mm
  • Clock diameter (legs flat): 405 mm
  • Movement dimensions: 75.3 x 134.9 x 63.8 mm
  • Weight: gold-plated version 1.96 kg; black version 0.98 kg
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The body

The body

Hours and minutes are read on a polished dome representing the spider's body, with rotating curved hands indicating hours and minutes in MB&F’s signature numerals.

Table or wall clock

Table or wall clock

To really make a statement, L’Epée has also developed an innovative system enabling Arachnophobia to be either clipped to a wall or standing on a table.

The head

The head

The spider’s head houses the regulator with its oscillating balance wheel and a set of jaws in case it gets peckish at night.

L’EPEE 1839

Epée 1839

For over 175 years, L'Epée has been at the forefront of watch and clock making. Today, it is the only specialised manufacture in Switzerland dedicated to making high-end clocks. L'Epée was founded in 1839, initially to make music box and watch components, by Auguste L’Epée who set up the business near Besançon, France.

L'Epée is now based in Delémont in the Swiss Jura Mountains. Under the guidance of CEO Arnaud Nicolas, L’Epée 1839 has developed an exceptional table clock collection, encompassing a range of sophisticated classic carriage clocks, contemporary design clocks (Le Duel) and avant-garde, minimalist clocks (La Tour). Complications including retrograde seconds, power reserve indicators, perpetual calendars, tourbillons and striking mechanisms – all designed and manufactured in-house. Ultra-long power reserves have become a signature of the brand.


inspiration « Maman » by Louise Bouregoise, Zürich, Switzerland

Arachnophobia was inspired by Maman (mother in French), a giant spider sculpture created by Louise Bourgeois (1911 2010) in bronze, stainless steel, and marble. Measuring 9.27 x 8.91 x 10.24 metres (more than 30 x 33 feet), the monumental sculpture has been installed in a variety of locations around the world.

MB&F developed the highly unusual concept with L’Epée 1839, selecting a high-end L’Epée clock movement and re-imagining it as the mechanical head and torso of a spider. The body is outfitted with a black dome with white numerals depicting the hours and minutes. The araneae’s self-sufficiency is to be admired: the finely-finished, highly-visible movement boasts a power reserve of eight days.


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