Conceived by MB&F and manufactured by L’Epée 1839 – Switzerland's only specialised high-end clock manufacture – Arachnophobia is the result of MB&F founder Maximilian Büsser’s overactive imagination blending with his appreciation of art.
Arachnophobia was inspired by a giant spider sculpture called Maman (mother in French), created by Louise Bourgeois (1911 - 2010) in bronze, stainless steel and marble. Measuring 9.27 x 8.91 x 10.24 metres, the monumental sculpture has been installed in a variety of locations around the world.
MB&F developed the highly unusual concept with L’Epée, selecting a high-end L’Epée clock movement and re-imagining it as the mechanical head and torso of a spider. The body is outfitted with a black dome with white numerals depicting the hours and minutes. The araneae’s self-sufficiency is to be admired, for the finely-finished, highly-visible movement boasts a power reserve of eight days.
At either end of Arachnophobia's time-displaying abdomen, important mechanical processes take place: the head houses the regulator with its oscillating balance wheel, while the other end contains the mainspring barrel, which powers the movement. Attached to the abdomen are eight visually enticing legs which can be rotated so that Arachnophobia can stand tall on a desk or on a wall.
Arachnophobia is available in black or 18k yellow gold-plated editions.
For over 175 years, L'Epée has been at the forefront of watch and clock making. Today, it is the only specialised manufacture in Switzerland dedicated to making high-end clocks. L'Epée was founded in 1839, initially to make music box and watch components, by Auguste L’Epée who set up the business near Besançon, France. The L’Epée hallmark was that all parts were made entirely by hand.
From 1850 onwards, the manufacture became a leading light in the production of ‘platform’ escapements, creating regulators especially for alarm clocks, table clocks and musical watches. By 1877, it was making 24,000 platform escapements annually. The manufacture became a well-known specialist owning a large number of patents on special escapements such as anti-knocking, auto-starting and constant-force escapements and the chief supplier of escapements to several celebrated watchmakers of the day. L'Epée has won a number of gold awards at International Exhibitions.
During the 20th century, L'Epée owed much of its reputation to its superlative carriage clocks and, for many, L'Epée was the clock of the influential and powerful; it was also the gift of choice by French government officials to elite guests. In 1976 when the Concorde supersonic aircraft entered commercial service, L'Epée wall clocks were chosen to furnish the cabins, providing passengers with visual feedback of the time. In 1994, L'Epée showed its thirst for a challenge when it built the world's biggest clock with compensated pendulum, the Giant Regulator. At 2.2m high, it weighs 1.2 tons – the mechanical movement alone weighs 120kg – and required 2,800 man-hours of work.
L'Epée is now based in Delémont in the Swiss Jura Mountains. Under the guidance of CEO Arnaud Nicolas, L’Epée 1839 has developed an exceptional table clock collection, encompassing a range of sophisticated classic carriage clocks, contemporary design clocks (Le Duel) and avant-garde, minimalist clocks (La Tour). L’Epée clocks feature complications including retrograde seconds, power reserve indicators, perpetual calendars, tourbillons and striking mechanisms – all designed and manufactured in-house. Ultra-long power reserves have become a signature of the brand as well as superlative fine finishing.
18K YELLOW GOLD PLATED BRASS
Arachnophobia is available in black and 18k yellow gold-plated editions.